With the advent of the small screen and Bollywood, and with its promise of instant fame, theatre has received a major setback. At most times, theatre is used as a springboard to stardom. Added to this, the changing social and economic need, which lures youngsters away. Like they say in theatrical jargon, that you have to have an `itch' to shun these temptations and plunge into theatre.

And so it was for a group of youngsters who, in 1992, after attending a theatre workshop, decided to coalesce and experiment with their new-found knowledge. Not that they were novices to this art, but this exercise was an impetus to their vigour. Thus this group of boys and girls from varied backgrounds and educational qualifications, with one love - theatre, helped mushroom on organistion called `Samanway' (coming together).

``I think it was after attending the workshop by Rajabhau Natu and Satyadev Dubeyji that we were really motivated and activated to introspect and realise our potential as artistes. His individualistic approach helped us sharpen our personality and also talents that we were hitherto unaware of. This recently acquired confidence helped us form this organisation.

``Though all of us had a tryst with theatre, we wanted to make it a continuous process through experimentation, leading to education and enjoyment. As most of us are employed, we conduct our activities in the evenings and nights only. If one of us feels that a story or script is good for staging, we discuss it from various angles and see how it can be staged.

We have also compartmentalised our activities, to cover all nuances of theatre. "We attend workshops, hold discussions, do play-reading and improvise, honing our skills. At times, we have had to read and research extensively, especially in the play Tyacchya Prakhar by Arun Sadhu, which had deep political undertones and is difficult to comprehend.

``Although we are in our formative stage, we have staged plays like Kowli Unhe, Tyacchya Prakhar Samajik Janiwache Nikhare, Aie, Mulgi anani Kavita, Aie, angthi, pari, Partners, 47 AK 47, Phakta Prodansathi, Mulchand Safarchand, which have been well-received.

``I understand that ego problems in any group are inevitable, but fortunately all of us think on the same wavelength, where no one is the `boss' and differences are sorted out. Of late, many outside groups have approached us to work together. "Currently, we are working on a non-commercial basis, with funds generated through donations, but we are not averse to `going big', however not at the cost of compromising on quality.

We are doing this on a volunteer basis and plan to continue to promulgate experimental theatre; and want a place which would cater to the likes of us and help stage such plays.''

Though `Samanway' is a ripple in the ocean, the commitment and dedication of the members to theatre cannot go unnoticed and needs to be taken cognisance of, having achieved much in a short span.